aman mojadidi
  • home
  • statement
  • cv/bio
  • written
  • works
    • 2011>
      • afghan by blood, redneck by the grace of god
        • conflict chic 1 & 2
          • burden
            • 5 easy steps to paradise
              • love letters from home
                • timeline: the making & breaking of...
                  • 183
                    • static
                    • 2010>
                      • kandahar
                        • afghan parliamentary campaign
                          • jihadi gangster, a day in the life of...
                          • 2009>
                            • conflict bling
                              • payback
                                • New Page
                                  • le 9
                                    • embrace
                                      • self-titled #2
                                      • 2008>
                                        • survival kit
                                          • barbie buddha
                                            • beehive
                                              • a sufi tale: taxi version
                                                • untitled diptych w/ pillow
                                              • press
                                              • contact

                                              artist statement

                                              We are all at conflict. Whether with others or ourselves, with our own ideas, thoughts, desires, history, present, future. We are all at conflict as we try and navigate ourselves through a life we understand only through our experiences, through our confrontation both internal and external with social, political, cultural, and personal strife. My visual arts work in multi-media assemblages, sculptures, 3-D collages, mise en scene photography, and installations, are always inspired by a negotiation through these conflicts, a negotiation between worlds and the multiple experiential landscapes that shape them. My recent work in particular is based largely on the dialogue between the external, contemporary experiences of conflict and the internal - mental, spiritual, and emotional - responses to it that continue to shape the understanding of my own identity and the world I live in. Through and across the different works, one can find threads of cultural tradition (be it real, imagined, invented), identity, politics, diasporas, war, and reconstruction weaving reflections, often contradictory, of humanity; a humanity which finds itself in a post-modern world that is simultaneously globalizing and fracturing, forcing us to confront each other and ourselves in ways we have yet to learn or understand. Complementing this work are my anthropological studies (B.A., M.A.) which provide a strong grounding in the debates around conflict, cultural change, post/colonialism, third-world development, and the representation of culture; while my continuing experience working and creating in Afghanistan provides the contextual richness that leads me down the path of trying to identify and understand not ways for resolving conflict, but rather ways in which we accept conflict as a life-long experience. Creating art as an aspect of, rather than response to, conflict is ultimately an exercise in dissecting the human condition in order to expose the sometimes fragile, sometimes durable, but always shifting relationships we have with each other, with ourselves, and with the conflicts we must endure throughout our lives. In order to do this, it will be necessary to see that condition as a place where external conflicts tied to global processes and internal battles tied to our own experiences are blurring into each other, becoming confused, indistinguishable, and equally personal.